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WALDEMAR KOLBUSZ
'Recent Paintings' 3rd - 18th March 2007



 

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Find out more about the Artist

 

W A L D E M A R K O L B U S Z

 
 

selected exhibitions|profile|history|selected corporate collections|references|back


“Geometry and gesture converge dynamically in the canvases of Waldemar Kolbusz to achieve a vigorous synthesis at once sensual and architectural. Like Brice Marsden and very few other contemporary painters, Kolbusz has been able to extend the lessons of the Abstract Expressionists and turn them to his own ends in order to forge a visual vocabulary altogether his own. It is built upon both an intellectual comprehension of the painterly tradition to which he belongs and an intuitive ability to trust the spontaneous impulses of his own sensibilty.”
Byron Coleman, Critic GALLERY & STUDIO MAGAZINE NEW YORK, Feb / Mar 2004

“…Waldemar’s intensely provocative abstracts.”
ISH – SINGAPORE 2001

“Kolbusz has become a critically acclaimed young artist with an innate sense of colour and space.”
“His aesthetic is bold and unabashed with a brash confidence that belies the number of years he has been in the profession and his gentle modesty. And always, his use and understanding of colour is paramount.”
“Kolbusz’s canvases stop people in their tracks, and remaining ignorant of his work is getting even harder.”
Leigh-Ann Pow, VOGUE July 2000, p76-78

"Lyrical and lofty, Kolbusz’s abstract paintings are made of lozenge-like patches of colour. They pulsate and breathe, awakening the senses to their hypnotic post-painterly aesthetic."
Courtney Kidd critic’s pick -
SYDNEY MORNING HERALD, metro p. 23, sep 22-28, 2000

“Perth-based artist Waldemar Kolbusz has become one of the hottest names on the lips of art luminaries around the country.”
SCOOP Winter 2000, p18

…this WA artist’s east coast debut, with the abstract series Freeway, is the stuff that Broadway plays are made of.”
SYDNEY STAR OBSTERVER, 1999

“Waldemar Kolbusz has undergone a revolution from within. Freeway stands as a testament to this rebirth of artistic desire through deeply pondered conversations with free-associational constructivism, reflexive minimalism and post-painterly abstraction.
…abstract and sublimely atmospheric paintings…
…offer the viewer a visionary experience realised through minimalist paintings of worldly and poetic sensibility and sensitivity.”
Jove Winters, October 1998

“Design Aficionado”
Vogue Living Australia 1998

“The light continues to resonate through the paintings by Waldemar Kolbusz. His endless energy and tireless passion have permeated into our community, sharing an aesthetic vibration of contemporary society.
Within the pure language of abstraction, his language of colour, light and texture combine to produce art that screams, pulses, pushes, pulls, lulls and cools. The artist creates canvases that speak fluently to the senses.
Kolbusz’s work has developed a momentum that appears to feed itself exponentially and communicates with immense intensity.”
Caroline Dettmer, Code Red Art 2000

“It looks like Waldemar Kolbusz, 31, will be one of our famous painters.”
“”Waldemar’s endlessly rich work is destined to strike a chord any where, any time. His big canvases appear three dimensional, suffused with blocks of hypnotic, vibrant colour so exciting they seem on the verge of exploding."
Rita Clarke, HOMES & LIVING, YEARBOOK 2000, p26

“..his work is garnering a huge amount of interest both here in Australia and in the cut-throat art world of New York. Kolbusz’s work has become highly sought after, with everyone from architectural firms and chic restaurants to the style gurus at Vogue Living magazine snapping up his vivid and energetic compositions.”
Jo Abbie, FRESH, Apr/May 2000


s e l e c t e d    e x h i b i t i o n s

 


Gunyulgup Galleries, MARGARET RIVER
2001, 2003, 2004, 2006, 2007
Mahoneys Galleries, MELBOURNE
2006
Maunsell Wickes at Barry Stern, SYDNEY
2005, 2006
Amelia Johnson Contemporary (group), HONG KONG
2005
Agora Gallery (group), NEW YORK
2003
Galerie Martini (group), HONG KONG
2003
Libby Edwards Galleries, SYDNEY
2002, 2003
Libby Edwards Galleries, MELBOURNE
2002, 2003
Indigo Arts, SINGAPORE
2001
Pearlers Row Gallery, BROOME
1999, 2000, 2001, 2002,2003, 2004
Warren De Maria Gallery, SYDNEY
1999, 2000
Code Red Art, PERTH
1998
Gadfly Gallery, PERTH
1996, 1997

p r o f i l e

 


Waldemar Kolbusz has in a relatively short time received substantial critical acclaim and his work continues to garner interest nationally and internationally. Since his progression to abstraction in 1997, Waldemar continues to seduce with his large canvases that speak loudly (and confidently) from the spaces they inhabit.

Concerned with the emotive language encrypted within the elements of colour and definition of space, Waldemar challenges and delights the viewer – his exhibitions are usually sell-outs.

Purchased for collections as far as New York, Brunei, Germany and Spain, Waldemar’s artworks now hang on large walls in international businesses, savvy city restaurants and architectural firm boardrooms. Corporate collectors include the Insurance Commission of WA, accounting institution KPMG, IBM, five star Duxton Hotel in Melbourne, Vogue Living in Melbourne, Balthazar Restaurant in Perth, Mirvac Fini and Clayton Utz.

Born in Perth in 1969, to Polish parents, Waldemar formally trained as an accountant. An involvement with painting was ever present however, and a nine month voyage to Japan, America and Europe, where he worked at different studios, fuelled the necessity to express and experience life through art full-time.
In particular, a journey on a desert freeway through Nevada and Arizona is attributed as the turning point that shifted the artist’s perception toward art and life, and ways of seeing both the responsibilities of the artist and his work. Furthermore Waldemar also experienced first hand the expressionist works of the New York School of Artists Exhibition in Tokyo in 1998.

“I remember being drawn into the images, and being almost aghast at how immensely powerful they were. I was dizzy. They confirmed my suspicions that the sort of painting I was interested in doing contained expression and feeling over exactness and formula." ~ Waldemar Kolbusz.

Waldemar Kolbusz’s paintings are inspirational in their development.


h i s t o r y

 


1969 born Perth Western Australia
1987  commenced Bachelor of Arts (UWA) Visual Arts major not completed
1991  completed Bachelor of Commerce degree (UWA)
1994 completed post graduate studies (CPA)
1994  travelled Europe
1996  resigned from accounting profession to commence a full-time commitment to art
1997 travelled Japan, Europe and USA. Set up studios and painted in Provence France, Lisbon Portugal and New York.
1999 resides and paints in Perth

s e l e c t e d   c o r p o r a t e   c o l l e c t i o n s

 


Insurance Commission of WA Oroton, Director’s Collection, Brisbane
Mirvac Fini Group Australia Paspale Pearls, Director’s Collection, Broome
IBM, Perth 303 Advertising Agency, Director’s Collection, Perth
KPMG, Perth Clayton Utz
Duxton Hotel, Melbourne Singapore Technologies, Singapore
Vogue Living Australia Magazine, Melbourne Forrest Hotel, Surry Hills
Perth Flight Centre Grafform Pty Ltd, Floreat Park
Broome Regional Hospital (Boardroom) CapitaLand Residential Limited - Singapore
Les Friday Homes, Subiaco Sail and Anchor Hotel, Fremantle
City of Stirling Clarity Communications, West Perth
Balthazar Restaurant, Perth Pro Property, Perth
Spowers Architects, Architect’s Collection, Perth Harvey Norman Commercial Division, Sydney
Leederville Chiropractic Centre Chiropratic for Wellness, North Carlton
The Dental Practice, Mosman Park Parkmore Management Pty Ltd, Richmond
Novotel Hotel, Director’s Collection, Sydney Indoguna, Singapore
VAT Margaret River and Bunbury AFG West Perth

r e f e r e n c e s

 


Homes & Living, Spring 2006, Artist’s Ed. pp 12-22
Belle, Apr/May 2006, Brush with Frame pp 120-127

Box Magazine, Vol 009, Dec 2005, p 29 – 34
The Sunday Times, Home, July 24, 2005, Cover
The Sydney Morning Herald, SPECTRUM, May 14, 2005, p 33
House & Garden, May, p 116
I-S Magazine, SINGAPORE, #240, “Understanding Abstract”, Melissa De Silva, Jan 28, 2005, p18
Gallery and Studio, NEW YORK, “Waldemar Kolbusz Extends A Great PainterlyTradition”, Byron Coleman, Feb / Mar 2004, p9
Monument , #59, Feb / Mar 2004, pp67, 69
Sunday Times, Jan 18, 2004, pp4-5
Sunday Times, Home, Jan 18, 2004, p10
House and Garden, Dec 2003, pp 96-101
The Age, Domain, April 9, 2003, p3
Homes and Living, Winter, 2002, "Art House", pp28-33
The Sunday Times, Food & Wine, Nov 3, 2002, p3
Vogue Living, Oct/Nov, 2002, p132
Wentworth Courier, Sep 18, 2002
The Sunday Times, HOME, Aug 4, 2002, p5
The Sunday Times, HOME, July 7, 2002, p4
The Sunday Times, HOME, March 17, 2002, cover, p10,11
The Sunday Times, Sunday Section, Feb 17, 2002, p7
The West Australian Magazine, Aug 18, 2001, p6
Perth Weekly, Aug 15-21, 2001, p4
ISH - Singapore, 2001 issue 2.5, p118-119
Sunday Times, HOME, July 22, 2001, p3, p10
Scoop, Winter 2001, 44-45
The Business Times, Singapore, Apr 7, 2001, The Arts EL2
The Straits Times, Singapore, Apr 2, 2001, pL2
Square Rooms - Singapore, Mar-Apr 2001, p18
Australian Interiors, Feb / March 2001, cover, p60, p64
Inside Out, March 2001, p63
Homes and Living, Renovations 2001, p73
House and Garden, Feb 2001, p76-79
Sunday Times, HOME, Jan 21, 2001, p8
Square Rooms - Singapore, Nov-Dec 2000, p126
www.zingasia.com, November 2000
Sydney Morning Herald, Domain p 4, Sep 7-13, 2000
Sydney Morning Herald, Metro p 23, Sep 22-28, 2000
The West Australian, Aug 23, 2000, U Section
Commercial Building & Design 2000, p174-175
House and Garden, August 2000, p124
Vogue, Leigh-Ann Pow, July 2000, pp76-78
Scoop, winter 2000, p18
The Sunday Times, Candice Silverman, June 4, 2000, ARTS p10
Marie Claire, June 2000, p89
She, Australia, June 2000, p115
The Sun Herald, Timeout, April 9, 2000
Fresh, April/May, 2000
The Weekend Australian, April 8 - 9, 2000
The Sydney Morning Herald, Metro Mar 31 - Apr 6, 1999
The Sydney Morning Herald, Domain, Mar 30 - Apr 5, 2000
Hype Magazine, March 23, 2000
The Wentworth Courier, (Sydney) Mar 22, 2000
The Sunday Times, Home - March 5, 2000
The West Australian, New Homes September 11, 1999
The West Australian, August 14, 1999
The Sunday Times, June 6, 1999
Marie Claire Lifestyle, Apr / May 1999
The Sydney Morning Herald, Metro Apr 30 - May 6, 1999
Scoop, issue 7 Autumn 1999
Sydney Star Observer, Issue 453 April 1999
Vogue Living Australia, March 1999
Marie Claire Lifestyle, Feb / Mar 1999
Scoop, Issue 6 Summer 98/99
The West Australian, Arts Today November 11, 1998
Scoop, Issue 5 Spring 1998
X-Press, October 29, 1998
Jove Winter, Westside Observer, Out Loud October 1998
X-Press, October 22, 1998
The West Australian, Big Weekend, Arts October 24, 1998
The Post Newspaper, October 17 - 18, 1998
The Post Newspaper, September 19 - 20, 1998
Perth Weekly, 26 November 1997
The Post Newspaper, November 22 - 23, 1997
Lyn DiCiero, Editor: The Artist's Chronicle, 1996
Regina Noakes, Western Review, December 1996
Noel Dyson, Business News, November 14 - 27, 1996
The Post Newspaper, October 26 - 27, 1996

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